Album
Review - Energy Czar // FEB 2006
On the strength of their debut album Hunting Lodge are on
a mission to maim and mangle, musically at least. Their mashup
of punky energy, metallic mayhem and super-tight jazz-sprinkled
convolution slaps both tendencies headlong into the listener's
face with a roundhouse combination of flatulent bass, idiot-savant
post-Beefhart vocals and hyperkinetic drumming. The twelve
tracks are spat out with breathless intensity, and if titles
like "The Average Sound Of Whitley Bay" or "Cosmic
Lightning" only hint at their diversly deviant content,
then their actual sound is similarly elusive.Guest trumpet
and sax scrawls from Terry Edwards add an extra layer of delicious
confusion to the mix, and around "I Am Feudal Japan"
the fuzzbass threatens to rip more delicate speakers to shreds.
There's no doubt being flung into a moshpit in front of the
group would be a richly rewarding, if shattering, experience.
Richard Fontenoy - Plan
B
Album Review - Energy Czar //
Jan 2006
With a sound resembling what might happen if grizzly bears
formed a band, Hunting Lodge (residing half in Bristol,
half in Southampton) have the air of a frightening force
unleashed, their name already spoken in hushed tones. Whilst
the similarities are clearly accidental rather than deliberate,
the oft-cited Birthday Party comparison is apt, conveying
both the chaotic, unhinged violence of the Hunting Lodge
experience and the more lithe, perverse structures underlying
their aggression. Rather than shock therapy goth throwbacks
though, Hunting Lodge remain as unadorned and down to earth
as it’s possible to get, their style birthed in the
mud and constipated filth of British outsider hardcore,
sharing aesthetic territory with the intimidating likes
of Penthouse, Bilge Pump and Part Chimp. And in Seth Cooke,
they have the most perfect drummer a rock band could ask
for, his awe-inspiring battering giving a gleeful joy to
proceedings that prevents the band’s catastrophic
racket from ever collapsing into nihilistic stupor as the
rest of the band stomp across whatever space is available
to them, axes raised and eyes closed as if imagining themselves
in combat with invisible beasts... Rah! Debut album ‘Energy
Czar’ out now.
STEREO
SANCTITY
LIVE REVIEW - HUNTING LODGE @ THE JOINERS W/ MELT BANANA
(1) // DEC 05
Hunting Lodge, the noisiest bastards around for miles, really
show why they’re almost top of tonight’s bill
with their ferocious and livid noise attack. Despite recently
losing a guitar player, the assaulting instrumentation and
vocal gushing are enjoyed by all and even though they’re
not headlining, the shouts for an encore are genuine –
it’s easy to see why this band have been supporting
Melt-Banana for most of their UK tour. The bearded, overweight
drummer pounds his kit with the intensity of a soldier while
the guitarist and bassist hurl themselves around him. Accenting
every track with piercing feedback and thunderous bass rumbles,
Hunting Lodge’s set is nothing short of manic.
James Vella - CDREVIEWS.COM
LIVE REVIEW - HUNTING LODGE
@ THE JOINERS W/ MELT BANANA (2)
// DEC 05
Hunting Lodge have often impressed me - their sheer noise
for a start - and tonight was no exception. I was interested
to see how the group worked with it’s weightloss of
one guitarist, especially due to the spazzy nature of the
often all-at-once, all-over-the-place music which could
well have been left lacking. But not at all, the sound was
just as fat, in fact they seemed even louder. And the performance
was impeccable. The bassist’s screams to the walls,
the drummer’s unsettled stand-up/sit-downs, the guitarist’s
jerks and the singer’s lurching presence. Musically,
think Chinese Stars and The Birthday Party - your ears being
mashed up and the strange desire to dance; loosely played
off-beat polyphonies, punk and disco beats, dirty pounding
bass and crazed howled vocals. The songs often sound only
completed in the moment, part-created in the chaos and randomness
of the performance.
PHILIP HOILE - Zap! Bang!
LIVE REVIEW - Hunting Lodge @ the Croft w/ Lydia Lunch &
Male // Date: 18-04-2005
At the other end of the gender
spectrum, Hunting Lodge are an exaggerated, almost
cartoon-ish, version of maleness (rather than Maleness –
that would be Itchy and Scratchy Play the Kim Gordon Songbook)
that might be fairly labelled ballscore, or maybe spunkrock.
They wear the mantle of sweaty, balding, yelling hardcore
devotees with a kind of pride that suggests that they scoff
at the at the pretty-boy feyness of a Napalm Death or a
Pantera. You feel queasy at the thought of what might go
on in the kind of hunting accommodation these boys frequent
– on tonight’s evidence, 12-bore shotgun russian
roulette combined with a cannibalism cook-off would be a
good bet.
The band’s genius (and I don’t use the word
lightly) is to produce a sound of distilled aggression so
pure that a couple of notes will contaminate everything
in a 50 mile radius. The on-lookers at The Croft are not
completely sure what to make of this Berlin Wall of noise
that threatens to collapse upon them at any minute. Their
puzzlement is scarcely noticed by Hunting Lodge –
they are wrestling with very private demons. Apart from
the bare-topped drummer solemnly thumping his skins like
he was beating time on a Turkish slave-galley, the group
have forsaken the stage to assume their stances on the dancefloor.
It's as if to say, “this intensity is not staged for
your benefit: if you want entertainment then go the circus.
This is the dark corners of our souls on display and creating
a venomous noise just happens to be the best way we can
think of to alleviate the despair right now. Watch if you
like/dare – it is of no consequence to us”.
This indifference is underlined by the bassist going walkabout
at one point, threading his way erratically through the
crowd while swinging his instrument over his head and narrowly
avoiding caving in the skull of my friend with one of his
dervish twirls. When not threatening to brain the fanbase,
his bass-playing technique is something to behold. To say
that he ‘plays’ the bass is like saying that
Mike Tyson is a bit handy with his fists – he pummels,
pounds and slaps the fretboard like it had just jumped ahead
of him at the taxi-rank, waving it over his head and behind
his back Jimi Hendrix-style, and, in short, re-inventing
the instrument as a percussive one. If ever something so
rudimentary could be dubbed as a ‘virtuoso performance’
then this most surely was it.
Carl Dolan - www.decodemedia.com
REVIEW - Hunting Lodge / Mugstar –
Split 7” // Date: 01-02-2005
I will save you some time here if you
like, why don’t you go and visit www.hunting-lodge.org/music_htm
..... You can order this from there, and frankly I urge
you to do so.
Mugstar are a fucking frightening sonic beast, they kind
of sound like Mark E. Smith looks, know what I mean? A piss
and booze stinking wiry mass of rage that may, and as far
as you’re concerned, will explode at any minute, certainly
not someone that you would want to befriend you in a pub,
or anywhere for that matter. Mugstar would probably buy
you a pint, but after would drag you into a darkened alley
way a kick your head in……
I’m painting a rather bleak view, but I can assure
you what along with the drunken kicking comes a musical
quality (again like Smith) that has assured this a place
in my top 10 7” of 2004….
So, picture the scene, you have suffered a bloody good pummelling
at the hands of Mugstar, your pride is bruised and frankly
you could do with a brew and a long sit down, but no, Hunting
Lodge have come along to continue the sound kicking, that
now you realise was only started with Mugstar, and after
they have administered about all you can take, this side
of death anyway, they turn and beat the shit out of Mugstar,
cos they can, and to be honest they are a lot bigger, scarier
and more menacing than Mugstar could ever be…..but
in a more Chinese Stars / Arab on Radar kind of way.
Fucking ace…..who wants a fight…. Hmm?
Drew Millward - www.tastyfanzine.co.uk
REVIEW - Hunting Lodge / Mugstar -
split 7" // DATE 29-01-2005
Listening to Southampton’s Hunting Lodge is like being
yelled at by an alcoholic in an indie disco, which is something
I’m sure we can all relate to. Somewhere between The
Fall and falling over, this is wilfully deranged noise-mongery
of utterly thrilling proportions. Driving rhythms courtesy
of the drummer mean you can still bogle even when what the
rest of them are doing is completely tuneless. Instead of
becoming tiresome, the lack of any tangible melodic niceties
is thoroughly adrenalising, especially over the too-short
course of a 45 rpm 7”.
On the flip, Liverpool’s Mugstar, who have done a
Peel (R.I.P.) Session in the past, initially present a much
less wilfully abrasive proposition, before finally showing
their true colours by letting rip with an ungodly howl backed
up by buzzing, scuzzing guitars. More riff-based than the
Lodge, their brand of hectic indie-punk is endearing and
immense fun. We’re back at that club, being hectored
in the coat queue. I bloody loves it.
Kunal Nandi - www.collective-zine.co.uk
REVIEW - Hunting Lodge / Mugstar – Split 7”
// Date: 05-01-2005
Intense-looking heavily tattooed gentleman from, seemingly,
a bygone era, represent each band on the cover. Holligans?
Pugilists? Who knows? It’s an ideal photographic representation
of each band's music though. Mugstar, like a smash and grab
raid, a theremin looted in the crime spree, with 'Object'
showing their calmer, but infinitely more threatening side.
The Lodge go straight into it, elbows like a blur, with
'Trout Mask' reedy sax strangled after the fact.
Skif - www.vanityproject.co.uk
REVIEW - Hunting Lodge EP // Date:
02-12-2003
"If there was a genre for Hunting
Lodge’s music it would probably be something like
Antimusicnihilisticdeathhatemetalgrungerockpunk-music! This
music (I use the term loosely!) has mutated directly from
the fires of hell and whether you love it or loathe it,
you’ll be
engrossed until the very last deafening squeal of distorted
guitar feedback fades out. You’ll then subcontiously
feel like you want to commit ritual sacrifice. Slow, down-tuned
riffs in the style of The Melvins accompanied by the Devil
himself shouting, screaming, crying and generally providing
the sort of sonic choral equivalent of the entire residency
of a mental institution. The lyrics are relatively inaudible,
but the titles alone are enough to set the scene. The delivery
even more so.
I love this CD. It is everything music shouldn’t be
and yet beneath the musical eqivalent of the climax of Apocalypse
Now there is an intelligence and creativity here that belies
belief. Amazing arrangements (think The Residents refining
the arrangements on Pink Floyd’s attonally dischordant
‘Ummagumma’ LP) and a suitably raw and totally
epic production. Hunting Lodge are NEVER going to be very
big or universally loved, but for those odd few of us that
embrace such unique and mind-boggling music, there is an
outlet to safely vent our inner demons!!!
Right, I’m off to slit my wrists now… "
Mike Spall - www.southscene.net
REVIEW - Hunting Lodge EP
"Nice to get a self released CD with a bit of care
taken over presentation and Southampton Based Hunting Lodge
pull all the right
strings even before hearing any music. Hunting Lodge is
out there, on the edge of the musical world, quite possibly
falling off it as we speak. They won’t go quietly
though, innocent bystanders will be dragged down with them
kicking and spitting. This sounds like some
serious therapy session for the vocalist, pictures spring
to mind of
him causing GBH to himself as he spews out his black bile.
Titles like
‘Berlin, 1936’; ‘The Reminder Of Another
Man’s Fuck’ and ‘Weakling’ are soundtracked
by some of the most vicious driving bass dirges I’ve
heard since the early days of Psychic TV. It’s relentless,
it’s some kind of punishment but it’s punishment
you are begging for on your knees. When they pick up the
speed on ‘Kneel To The Boss’ it’s like
a killer blow to the side of the head, just for good measure.
Damn, it feels so good to be left bloody and broken."
Grebo - www.vanityproject.co.uk
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